I have created a large HTML table that compares a lot of music editors on the Commodore 64.
CLICK HERE TO VIEW THE TABLE
You can use it for a ton of things. How much CPU time does a player from that editor use? How many SID chips does it support? Does it have multispeed? How many instruments can it have? Does it have this or that feature in a table? Almost anything you can imagine, this table aims to deliver.
And if it doesn’t – or you have an update – just throw me a comment in this blog post.
Discussion threads: Facebook, CSDb, Lemon 64, Reddit, ChipMusic.org
March 8, 2018: Double-checked and updated player sizes and rasterline numbers.
March 4, 2018: Added DefleMask 0.12.0.
March 2, 2018: Added capability rows for arpeggio and vibrato in the Player section.
March 1-2, 2018: Added capability rows for pulsating and filtering in the Player section.
February 28, 2018: Used SIDDump to measure and update some of the rasterline numbers.
February 27, 2018: An Unsticky Table button can now be used if the table won’t display properly.
February 26, 2018: Added SidTracker 64 1.0.3.
February 25, 2018: Added DMC 5.0.
February 24, 2018: First version with 10 editors.
Read more “One Knight Stand”
Here’s my first GoatTracker SID tune in standard PAL speed. It was made for the 8580 SID chip.
The bass drum instrument is not quite as sharp in the packed tune as it was in GoatTracker. Perhaps it was the packer that messed with this – I’ve had similar difficulties with my own packer back in the day. Does anyone know how to match that in the packed tune?
Here’s the SID tune: One_Knight_Stand.sid
Read more “Inside”
Spoiler warning! I will pretend that you have already played the game.
This game was so permeated in atmosphere it was almost dripping from it, but it also helped that it was the very first game I played on my new 32″ Acer Predator XB321HK monitor, and in 4K of course.
It was very similar to Limbo, the previous game by the same developer. So much so that it almost felt like Limbo II. Again it was a platform puzzle game mostly scrolling to the left, and again I sometimes had to run for my life from evil men in a story without a beginning. It even started in exactly the same way – here’s the kid; now go. No backstory or tutorial for you.
Where Limbo was almost all black and white, Inside had a very faint use of color. The kid in my control was wonderfully animated, especially considering that he didn’t have a face. Music was rare. Most of the time it was a humming ambient sound to complete the feeling of an amazing atmosphere. And the controls were incredibly sparse. Move, jump and interact. Sometimes interacting in a direction.