Read more “The Witcher 3: Part 1”
Developer: CD Projekt RED | Released: 2015 | Genre: RPG, Third Person
This may very well be the prettiest game I’ve ever played so far. The texture detail is really out of this world. The faces of the 3D models are extremely detailed, with stubble, pimples and birthmarks accompanied by realistic facial animation that fits the lines of dialog well. The clothes really look like clothes, whether it’s dry or wet from rain – it’s almost like I can feel its volume at times.
Graphically, this game sure is a feast for your eyes.
But as is typically me with big and complicated RPG these years, it didn’t actually grab me until the third session or so. It felt too overwhelming to begin with. Tons of screens, skills, inventory tabs, a tutorial that frequently paused the action, and words on the internet about enormous maps with a never-ending amount of question marks to find and reveal. I persevered because I knew it would be like this for me in the beginning and it turned out to be the wise thing to do.
Eventually it finally managed to grab me because of how meticulously it was designed. Although I didn’t agree with all of the gameplay mechanics, it was clear that the developers really tried to do their very best in many areas. If one part of the gameplay made me frown a bit, five other things made me grin like a child being offered an ice cream that needs to be held with two hands.
Especially the side quests have been really impressive so far. So many RPG pile this up with quests about acquiring ten bear asses, but in The Witcher 3 they are almost all interesting and varied, with lots of dialog and often a bit of detective work. Borrowing from games such as Rocksteady’s Batman series, I can turn on my Witcher senses (a fish eye effect then occurs) to spot evidence in red, examine it with comments, then perhaps following a red trail of footprints or a thread of smell meandering through the air. Surprisingly many side quests have this part built into them and it’s a nice digression from smacking monsters.
Read more “The Witness: First Impressions”
Developer: Thekla | Released: 2016 | Genre: Adventure, First Person
After completing Pneuma, one of my friends gifted me this game on Steam – removing it from my wish list. He spoke of his endeavors in this game and it got me enticed. I installed and started it almost immediately and played it for more than 5 hours yesterday. Enough to dish out my first impressions about it.
I completed Jonathan Blow’s puzzle platformer Braid back in 2012 and have had an eye on his next game ever since. It seemed like quite a quantum leap from Braid – from a 2D platformer to a completely open world puzzle game in a pretty 3D engine. I didn’t care much for the pretentious story and ditto quotes in Braid, but the gameplay was truly awesome. It had so many time manipulating ideas that really surprised me by how ingenious they were. And just as I thought I had seen it all, Jonathan Blow managed to conjure up yet another fresh approach.
Suffice to say, I was very curious about The Witness.
Of course The Witness just had to be one of those modern games that starts immediately without a title screen, just like e.g. Limbo. You could say that as long as the spot is as secluded and safe as it is, but I don’t know. I’m probably old fashioned, but I actually like a title screen up front as the first thing.
Then again, ten years ago I didn’t care much for digital games and stubbornly wanted a disc in a box, and look at me now. Why waste shelf space on a box when you can have it on Steam?
So maybe in a few years, title screens will be the annoying thing.
The game started with very small baby steps indeed. Almost all puzzles seemed to be based on using the mouse to draw a line through a maze on a panel, and it started with the basic straight line, then an angled line, and so forth. Soon mazes appeared with dead ends, and the starter area made it clear how the panels turned on more panels through wires now lit up, meandering through the grass and over walls. So, lots of following wires and finding new panels with puzzles to solve.