DreadOut

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Developer: Digital Happiness | Released: 2014 | Genre: 3PS, Horror

It was really a shame coming from such a nice surprise as Lifeless Planet to this frustrating mess of bad design. If I could have gone back in time and told my older self what not to play, this would definitely have been one of them. DreadOut was a horror adventure that borrowed a lot from Silent Hill – even the dark style of the inventory, with big images of inventory items. The saddest thing is that the horror atmosphere was actually quite well done. Although cliche of course, it had just the right amount of disturbing dread and jump scares, supported by a marvelous ambient background sound.

The heroine, a teenager on a trip with her teacher and school mates in a car, used a smartphone camera and its flash to scare ghosts and monsters. A red vignette on the screen indicated that a spiritual being was close (sometimes invisible so the camera had to be held up to see it) and a blue vignette that an item or interaction was nearby. Being pummeled could lead to death, and this was shown as a limbo sequence running towards the light. To make matters even worse, some monsters were “camera bullet sponges” and had to be continuously snapshot. In between there were also mild puzzles and keys to find.

Lifeless Planet

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Developer: Stage 2 Studios | Released: 2014 | Genre: 3PS, Adventure

I really liked this one. No enemies to fight, just a lot of astronaut exploration in epic surroundings on a strange and alien planet. At first I thought it had much of the same style and atmosphere as Evolva meets the planet exploration levels of the first Mass Effect. Then later, as the epic alien structures arrived, I thought about The Dig too. The long stretches and most of the frequent jumping puzzles didn’t bother me as I like that stuff. And this game sure had a ton of it. There were a few sadistic exceptions, but most of the time it was a great fun jumping across enormous chasms on house-sized boulders.

The astronaut had a default double jump ability almost from the start. Tap jump, then at the peak tap it again to jet a bit higher. In a few selected areas of the game, a pressure bottle gave me a temporary jet pack boost, making it possible to cross wider chasms with about five timed jump taps. It felt just right and I loved most of those sections. I was always a bit sad when I got to the point where the game told me the extra boost had run out. Later I also got a mobile crane arm. A first person view then made it possible to grab an item and drop it elsewhere , or tap buttons out of normal reach with the crane claw.